This page contains my improvisation recordings from 2008. As you'll hear below, the recordings feature such highlights as cracked notes, poor note choice, unsteady rhythm, and meandering phrases! And that's why recording myself is so important. It's the best way to evaluate my playing and to chart my progress over time. I don't expect that I'll ever be a great jazz trumpet player, but I am anxious to hear how much better I can get with practice. As always, I welcome your comments and suggestions.
All daily recordings: 2004 - 2005 - 2006 - 2007 - 2008
APRIL 19, 2008
Aebersold #116, Trane's Ride
I recently purchased the "Miles Of Modes" Aebersold recording. As you might guess from the title, it has a lot of modal exercises and tunes. It also has a pretty energetic rhythm section, at least on some of the tracks. This clip features one of my favorite tracks from the play-a-long, "Trane's Ride" (written by Jamey Aebersold). If you've listed to several of my recordings, you know cracked/missed notes are par for the course. Heck, my recordings would probably be unrecognizable without them! Well, let's just say this recording doesn't disappoint. Near the end of the recording are two notes in a row which I totally miss. They're just tiny squeaks of air...
MARCH 9, 2008
Aebersold #104, Drone in E
As I often do when recording, tonight I set my Aebersold tracks to shuffle and tried playing with whatever was randomly selected. I was really in the mood to play something fast and hard-hitting, so when this track from the Kenny Werner - Free Play play-a-long began, I was tempted to hit the "next" button. I decided to give it a try, however, when I saw the title of the track, "Drone in E". Since that's the key of F# on the trumpet, I figured this would be a good chance to challenge myself to play in one of my less familiar keys. This is my first time playing with this Aebersold track, and it's the first time I've shared a clip quite like this, but I thought it came out good enough to share. Just pretend I actually hit those two notes at the end :-)
FEBRUARY 16, 2008
Clip #1 - Aebersold #56 - "I Mean You" by Thelonious Monk.
Clip #2 - Aebersold #56 - "I Mean You" by Thelonious Monk.
I first recorded with this "I Mean You" play-a-long track back in 2004 (). I've improvised with the track a few times over the years but I hadn't had the inclination to make any new recordings until last weekend. Above you'll find a clip from last weekend (Clip #2) as well as a clip from this weekend (Clip #1). As you'll hear, Clip #1 is similar in style to most of my other jazz recordings while Clip #2 is a little more adventurous (at least in parts).
When practicing jazz improvisation, I try to approach my solos with a variety of styles. I'll play a few choruses in a straight-ahead hard/bop style, then I might try something really sparse, or maybe I'll play in an angular or avant-garde style. These varied approaches aren't always successful, but they do help open new avenues of creativity that I might otherwise miss by playing everything the same way all the time. Variety... it really is the spice of life!
You did a good job on "Drone in E". I find it quite challenging to create interest in tunes where the harmony is static. While it is very easy to play notes that work within the chord progression it is a different matter to make your playing sound like it is going somewhere (unless of course the intention is to create a meditation track!). The chord progression isn't going anywhere so it is up to the soloist to provide this even more than is necessary in a more conventional tune.
You seem to meander around a bit at the beginning, but from about the 50 second mark you start to come up with some really nice melodic ideas that you continue to develop for the rest of the piece. I didn't actually notice the two notes at the end you said you didn't hit - it sounded fine to me. Considering that this was your first attempt at this song and that it is in a tough key I think you did well.
Playing more melodic and rhthmic and melodic motifs might help on this style of piece. You might also want to experiment with some outside playing to help create a bit of tension and release (e.g. play a melodic pattern in F#, then transposed up to G, then again in F#).
Rob
Hi Rob,
Thanks for the feedback. I agree with your assessment of the track. I did start out experimenting with a few ideas to see if anything interesting would develop. About half-way through I found something which I liked and carried it through until the end.
I think it's important for beginning improvisers to realize that each improvisation is itself a journey. Sometimes you begin knowing exactly what you want to play, other times you might noodle around, experimenting with several ideas until you find a decent path, and sometimes you never do quite find your way. And while it might seem nice to always know what you're going to play ahead of time, the best ideas often come through experimentation.
-Rick
POST A NEW COMMENT