introduction

Jazz Improvisation

I practice and hone my skills with the goal of becoming a better (dare I say "good") jazz improviser. In this section, you can read about the methods I use to improve and you can listen to recordings of my playing. The recordings will help you determine if any of the stuff I'm doing actually works ;-). Be sure to check out the following entries: Learning to improvise - introduction // Learning to improvise - listening // Learning to improvise - ear training // Learning to improvise - rhythm // Learning to improvise - motifs // Learning to improvise - vocal improv // Learning to improvise - transcription // Learning to improvise - jazz theory // Daily recordings - 2007 // Exercise - note limiting // Exercise - freeform improvisation

Archived "Jazz Improvisation" blog entries are listed in the left-hand column.

JAZZ IMPROVISATION | saturday, april 19, 2008

Daily recordings - 2008

recordingThis page contains my improvisation recordings from 2008. As you'll hear below, the recordings feature such highlights as cracked notes, poor note choice, unsteady rhythm, and meandering phrases! And that's why recording myself is so important. It's the best way to evaluate my playing and to chart my progress over time. I don't expect that I'll ever be a great jazz trumpet player, but I am anxious to hear how much better I can get with practice. As always, I welcome your comments and suggestions.

All daily recordings: 2004 - 2005 - 2006 - 2007 - 2008

APRIL 19, 2008

play Aebersold #116, Trane's Ride

I recently purchased the "Miles Of Modes" Aebersold recording. As you might guess from the title, it has a lot of modal exercises and tunes. It also has a pretty energetic rhythm section, at least on some of the tracks. This clip features one of my favorite tracks from the play-a-long, "Trane's Ride" (written by Jamey Aebersold). If you've listed to several of my recordings, you know cracked/missed notes are par for the course. Heck, my recordings would probably be unrecognizable without them! Well, let's just say this recording doesn't disappoint. Near the end of the recording are two notes in a row which I totally miss. They're just tiny squeaks of air...

MARCH 9, 2008

play Aebersold #104, Drone in E

As I often do when recording, tonight I set my Aebersold tracks to shuffle and tried playing with whatever was randomly selected. I was really in the mood to play something fast and hard-hitting, so when this track from the Kenny Werner - Free Play play-a-long began, I was tempted to hit the "next" button. I decided to give it a try, however, when I saw the title of the track, "Drone in E". Since that's the key of F# on the trumpet, I figured this would be a good chance to challenge myself to play in one of my less familiar keys. This is my first time playing with this Aebersold track, and it's the first time I've shared a clip quite like this, but I thought it came out good enough to share. Just pretend I actually hit those two notes at the end :-)

FEBRUARY 16, 2008

play Clip #1 - Aebersold #56 - "I Mean You" by Thelonious Monk.

play Clip #2 - Aebersold #56 - "I Mean You" by Thelonious Monk.

I first recorded with this "I Mean You" play-a-long track back in 2004 (play). I've improvised with the track a few times over the years but I hadn't had the inclination to make any new recordings until last weekend. Above you'll find a clip from last weekend (Clip #2) as well as a clip from this weekend (Clip #1). As you'll hear, Clip #1 is similar in style to most of my other jazz recordings while Clip #2 is a little more adventurous (at least in parts).

When practicing jazz improvisation, I try to approach my solos with a variety of styles. I'll play a few choruses in a straight-ahead hard/bop style, then I might try something really sparse, or maybe I'll play in an angular or avant-garde style. These varied approaches aren't always successful, but they do help open new avenues of creativity that I might otherwise miss by playing everything the same way all the time. Variety... it really is the spice of life!

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