It's now been ten years since I started playing the trumpet again, after quitting for a period of seven years. I had hoped to write this article before the end of 2012, but with traveling, work, colds, and other distractions, I didn't make the deadline. Oh well, better late than never.
After my jam session with Tyrone Jackson at the 2012 ITG conference, I began memorizing jazz tunes with the goal of having 40 tunes memorized by the end of 2012. I was off to a good start, but taking time off to travel caused me to have to relearn most of what I had previously committed to memory. Consequently, I only learned 22 tunes by the end of 2012. I'm okay with that, though, since that's 22 more tunes than I knew at the start of 2012. I'm going to continue learning jazz tunes in 2013, but I'll set a more attainable goal of learning 50 total tunes by the end of the year.
Here's a list of the tunes that I've learned thus far: Recordame, Caravan, Footprints, Cherokee, Ladybird, Blue Monk, Bessie's Blues, Straight No Chaser, Nardis, Sweet Georgia Brown, El Gaucho, What Is This Thing Called Love?, Impressions/So What, Summertime, There Is No Greater Love, Oleo, Have You Met Miss Jones, Watermelon Man, All The Things You Are, Song For My Father, Stella By Starlight, Blue Bossa
For each of these tunes, I can play the melodies and I can outline the changes by memory. When it comes to improvising over the tunes, I still have to consciously think about the changes to most of them, especially the longer tunes like Stella By Starlight and All The Things You Are. I am, however, becoming gradually more confident with these tunes and I'm finding that the initially challenging sections are becoming easier with each review.
ANDROID EAR TRAINING APPLICATION
In October of 2011, I released an Android version of my "Play by Ear" ear training application. While all of my other ear training tools are free, I decided to charge $1.99 for the Android ear training application. The decision to charge for the app was made in part to compensate myself for building an application that I'll never use (I have an iPhone). But for most part, I charged money because I was curious to see how many people are actually willing to pay for an Android ear training application. As it turns out, not that many.
Thirteen months after its initial release, 773 people have purchased the Android version of Play by Ear. By comparison, about 45 people install the iPhone version every day (some days over 100). That's about 16,425 installs of the iPhone ear training app per year. From these numbers, I think it's safe to draw the following two conclusions. First, the audience for iPhone ear training apps is considerably larger than the Android audience. And second, people prefer free apps. No surprise there.
As a result of these findings, I've decided to discontinue development of the Android application. I know this might disappoint some of you, but I hope you'll understand that continued development isn't the best use of my limited time. Sorry!
EMBOUCHURE AND MOUTHPIECE TROUBLES
When I wrote the article about traveling in 2012, I had only been back on the horn for a couple of weeks after not playing at all during the entire month of September. At that time, I couldn't play for more than 10 minutes at a time before my chops would give out. To be more specific, lately when my chops "give out," it feels like my upper lip stops vibrating. One minute my upper lip is responsive, and the next it feels flat and lifeless. I can't say for certain what's happening, though, and that's partly due to the fact that I never regained feeling at the very top of my lip (just under my nose), due to the root canal that I mentioned in my nine-year anniversary article.
As the recovery from my vacation continued, I practiced as usual but I wasn't improving at all. In fact, my chops were getting worse. After a few minutes of playing, I needed a lot of mouthpiece pressure just to play above a C in the staff. I still felt like my upper lip stopped vibrating, but for the first time I also felt like my mouthpiece (Yamaha 11C4-7C) was too small; as if it prevented me from buzzing. I'm guessing that after not playing for a month, my embouchure changed slightly, perhaps due to the root canal and new front tooth that I received at the end of 2011. Whatever the cause, my old mouthpiece wasn't working very well for me anymore.
The week before Thanksgiving, I visited Rich Ita's workshop to see if I could find a better mouthpiece. I initially tried some Warburton mouthpieces, but I couldn't find any combinations that worked for me. Next, I tried some Schilke mouthpieces. I didn't care for the first two or three sizes, but when I got to a Schilke 9, my playing really seemed to open up. The rounded rim was comfortable and it was easier to move around the horn. After trying a few dozen more mouthpieces, the only other mouthpiece that I liked was a Monette B7. The Monette B7 was even easier to play than the Schilke 9, but my tone sounded too thin. Unfortunately, that was the only Monette mouthpiece at Rich's shop, so I couldn't try any other sizes. In the end, I bought the Schilke 9.
I've been playing on the Schilke 9 mouthpiece for a little over a month now. At first, I liked the mouthpiece, but then I inevitably reached a period where it felt like it was harder to play than my old mouthpiece. The same thing happened with the GR mouthpiece that I bought in 2009. I did at least like my sound on the Schilke 9 (I don't like my sound on the GR), so I decided to stick with it for a while longer.
I've now reached the point where I mostly like the Schilke 9, but I'd also like to try some slightly larger Schilke mouthpieces, just to see if those feel any better. I already own a Schilke 15, so I know that's too big. Of course, I'd love to try another Monette, but I can't bring myself to spend all of that money on a mouthpiece unless I know for sure that I'll still play it after a couple of weeks.